Showing posts with label musicals. Show all posts
Showing posts with label musicals. Show all posts

Wednesday, November 09, 2011

How can you not love it?

So I don't have much to say tonight, or at least not much energy to say anything worth reading.

And that means it's time for a video link!

I love this clip and have shown it to several of you throughout the years, but it's always worth revisiting. (Stick around through the opening and watch the whole thing. It's worth it, I promise.)



And that, friends, is how you make an acceptance speech.

Monday, November 29, 2010

The Many Faces of Eileen

Earlier this month, I talked about She Loves Me, a musical based on a play that has been re-adapted many times, most of which I love.

Today's featured musical has a similar adaptation record. It was originally a set of short stories, then a book, then a play, and then a 1942 movie starring Rosalind Russell, for which she was nominated for an Academy Award for Best Actress.


Rosalind Russell was so amazing in the role of aspiring writer Ruth Sherwood, who is overshadowed by her beautiful sister Eileen (an aspiring actress), that some other amazing people (see: Betty Comden, Adolph Green, and Leonard Bernstein, among others) decided to adapt the play-turned-movie into a Broadway musical called "Wonderful Town," just so Roz could reprise her role. Which she did, although she wasn't much of a singer beforehand. She apparently learned to sing just fine, though, because she won the Tony award for her performance.

The musical was revived in 2003 with Donna Murphy as Ruth, and I adore this particular cast recording. I know there used to be a video on YouTube of Donna Murphy (who was also nominated for a Tony) singing my favorite song from the musical, "One Hundred Easy Ways," but I couldn't find it. So I'll give you this version instead:


Other great songs include "Ohio" (I've not caught up on this season of "Glee" but I hear that this was sung as a duet with Jane Lynch and Carol Burnett), "Conversation Piece" (especially the bit about re-reading Moby Dick), "Conga," "My Darlin' Eileen," and "It's Love."

The great thing about this story, though, is that it's actually a two-for-one musical deal. In 1955 the story was again revisited, this time as a movie musical called "My Sister Eileen," but with different songs than "Wonderful Town" and a slightly tweaked plot. It featured the wonderful Betty Garrett as Ruth, Janet Leigh as Ruth, and Jack Lemmon (who sings!!!), Tommy Rall and Bob Fosse all as suitors for the sisters. Bob Fosse choreographed, which lead to this amazing dance number (dancing starts around 3:00):



I have to say that I like the 1955 version of the story best (Eileen comes off as less flaky, in my opinion, plus who doesn't love Betty Garrett? Plus Jack Lemmon in love is so sweet and adorable), but all of the versions are worth checking out, both movie and soundtrack.




(I think it was also a TV series in the 1960's—you've got to love stories that get so much mileage. Kind of like this 29-day blogging streak I'm on.)

Tuesday, November 09, 2010

A Trip to the Library; or, Thank You, Jerry Bock.

Don't forget to De-Lurk, please!


Jerry Bock passed away last week. For those of you who aren't geeky enough to recognize that name without more explanation, he was the Bock half (obviously) of the duo Bock and Harnick, who wrote Broadway musicals (Sheldon Harnick, the lyricist to Bock's composer, is still alive). And if that doesn't help, maybe this will:



So let me pause here because I want to make one thing very clear. I adore Fiddler on the Roof. I think it is brilliant and quite possibly one of the best musicals ever written.

But it's not my favorite musical by Jerry Bock and Sheldon Harnick.

That distinction goes to the little-known 1963 gem She Loves Me.



It's the story of The Shop Around the Corner in musical format. (The movie was originally adapted from a play called Parfumerie, by Hungarian playwright Miklos Laszlo, and subsequently remade as In the Good Old Summertime and, later, You've Got Mail.) The music is sweet, the story and characters are charming, and, of course, the guy gets the girl in the end. (If you think that's a spoiler you're not paying attention.)

Unfortunately, this beautiful little musical was overshadowed by the mega-shows Funny Girl and Hello, Dolly that year, with which it couldn't compete, and so it only played for a short run, and was mostly shut out come Tony time.

Which is a real shame. It features such songs as "No More Candy" (trying to sell a musical candy box to a skeptical customer), "Tonight At Eight" (our leading man is nervous about his impending date to meet the girl of his dreams), "Perspective" (the older clerk in the store explains how to keep your job), "Romantic Atmosphere" (a frustrated maitre d' tries to impress upon a bumbling waiter the importance of setting the mood for lovers' meetings), "Tango Tragique" (a cautionary tale about anonymous pen pals), "Where's My Shoe" (leading lady gets a bit of a crazy-go-nuts scene), "Ice Cream" and "She Loves Me" (the leading lady and leading man, respectively, discover a softening of their feelings of animosity toward each other), "Grand Knowing You" (the skeezy clerk's big farewell), and several others.

Including my very favorite, "A Trip to the Library."

In this scene, when last we saw our secondary lady, (who is a bit of a floozy), she had just had her heart stomped on by the skeezy clerk for the last time, and valiantly resolved to change her ways and not be taken in by such a skeezy guy again. She comes back to work the next morning and reports on her progress to the leading man. It seems that last night, she found her feet taking her on an unexpected route . . . to the library. "You've never seen anything like that library! So many books! So much marble! So quiet!"



I chose this version out of all the many on YouTube because even though she flubs a couple of the lyrics, she sings it more closely to the way the original actress, Barbara Baxley, did. I prefer the slightly more vulnerable and sweet tone to the brassier belting featured in most of the other renditions. If you'd like to see how it plays out on stage, though, I did enjoy this version:



I ask you, how can you not love a show with a song that rhymes "respectable" and "bespectacled"? And who could resist a lyric like this:

I have to admit, in the back of my mind
I was praying he wouldn't get fresh,
And all of the while I was wondering why
An illiterate girl should attract him.
Then all of a sudden he said that I couldn't
Go wrong with the way of all flesh—
Of course it's a novel, but I didn't know
Or I certainly wouldn't have smacked him!

If you have never heard of She Loves Me, I suggest you do yourself a favor and check out the soundtrack. Or keep an eye out on your community theater notices, as this show is frequently mounted around Christmas time. Check to see if there's a production going on near you and go to see it. Take a friend and sink back into this lovely little musical. I promise you won't regret it.


Day 9! Wahoo! (When was the last time you went "wahoo"?)